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FEATURED MOVIE REVIEW: BlacKkKlansman

By JOHN MULDERIG
09/07/2018 | Comments

NEW YORK. A few flaws notwithstanding, “BlacKkKlansman” (R, Focus) represents an effective — and, strange as it may sound, often entertaining — look at the vicious racism lurking at the fringes of American life and perpetually aspiring to enter its mainstream.

Since the film’s examination of the unsavory world of the Ku Klux Klan comes with a large dose of vulgar dialogue, however, not to mention a barrage of nasty epithets, it should generally be treated as fit fare for grownups. Even so, some parents may consider its potentially formative impact on impressionable viewers sufficiently important to allow for patronage by older teens.

Director and co-writer Spike Lee has a field day adapting Ron Stallworth’s 2014 memoir “Black Klansman” into a richly ironic, fact-based mix of drama and comedy.

As stupid as they are sinister, the dopey bums who inhabit the cheaply wood-paneled dwellings and meeting places of the early 1970s Klan are easy targets for satire — even if a shiver or two should accompany the laughs. And the ease with which Stallworth, played appealingly by John David Washington, Denzel’s elder son, gained entree into their under-a-rock milieu adds to the humor as well as the wonderment.

After becoming the first African-American police officer in Colorado Springs, rookie Stallworth is assigned to infiltrate a lecture by ex-Black Panther Kwame Ture — born Stokely Carmichael — (Corey Hawkins). There he meets, and quickly falls for, Patrice Dumas (Laura Harrier), the militant head of the student group sponsoring the event.

Back at the precinct, Stallworth spots an ad in the local paper inviting its readers to join the Klan. Casually, he dials the number provided and, before he knows it, is successfully impersonating a white racist. In a mistake that will come back to haunt him, though, Stallworth inadvertently uses his real name during the conversation.

Invited to meet the leader of the area’s Klansmen, Walter Breachway (Ryan Eggold), Stallworth works with fellow officer Flip Zimmerman (Adam Driver) to develop a tag-team strategy: Stallworth will continue the phone masquerade, while Zimmerman will portray his fictional alter ego in the flesh.

Soon, Zimmerman is hobnobbing not only with Breachway but with his more canny — and ever suspicious — subordinate, Felix Kendrickson (Jasper Paakkonen), as well as with half-witted hanger-on Ivanhoe (Paul Walter Hauser). Though repeatedly challenged by Kendrickson, Stallworth and Zimmerman perpetrate their ruse so adroitly that they eventually manage to hoodwink even the Klan’s Grand Wizard at the time, David Duke (Topher Grace).

The film contains brief but sometimes disturbing scenes of violence, mature themes, including racial animus, about a dozen profanities and half as many milder oaths, pervasive rough and crude language, frequent racial slurs, fleeting sexual references and an obscene gesture. The Catholic News Service classification is A-III — adults.


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